:49:10
This actor is Frankie Faison,
who is quite a wonderful actor.
:49:15
I don't know quite why,
I've liked his work ever since,
:49:20
but when I was editing the film,
I wasn't happy with his voice.
:49:26
So I brought in another actor, Albert Hall,
who had been in Apocalypse Now.
:49:31
So this is Albert Hall's voice
and Frankie Faison's body.
:49:35
I don't know whether
it made a difference
:49:38
but at the time it seemed
like a good idea.
:49:46
This, again, is Scarfiotti's notion
:49:53
with the angels in the sand
and the sculpture of the wood slats.
:50:11
Looking at a scene like this,
:50:16
it seems obvious to say
but many people don't realise this,
:50:22
the use of the khaki
and the red and the brown
:50:28
was very calculated
and decided beforehand.
:50:32
It was decided to have the two of them
in red, in that set, at that time.
:50:44
Whenever an actor pulls out a cigarette,
:50:49
you can assume that a lighting trick
is gonna come up, and here it is.