1:06:09
I guess here, as throughout the film,
1:06:13
my interests
were not so much on the gore itself
1:06:18
as in some kind of tension
1:06:22
and then just the little flash of gore.
1:06:27
So the sound of the phone,
1:06:31
to me, was more interesting
than the body itself.
1:06:46
Again, all these visual references
1:06:52
to classical antiquity
and the animal kingdom
1:06:55
and griffins and lions and stuff,
1:07:00
which the film is replete in.
1:07:08
Here is a scene which is going to
play with our two colours,
1:07:16
where you have a salmon
and a lime light that are interacting.
1:07:27
This was one of the scenes that
we came back to New Orleans to shoot.
1:07:35
I'm not quite sure why.
1:07:38
I guess we must have
cut out some things
1:07:41
and felt that we needed this scene
to replace what we'd cut out.
1:07:47
Yep, this is it right here - this exposition.
1:07:51
When we were putting the film together
1:07:53
we felt it needed this kind of a speech
so we went back and shot it.