Fanny and Alexander
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:14:04
The doors open...
No, Wait. First there's a scream.

:14:06
It's a wrap everyone!
:14:08
"Sceneri" is the symbiosis of
the movements of camera & actors.

:14:10
A horrendeous scream
that cut through the room.

:14:13
We want Fürstenberg
and Emilie in here.

:14:15
An unrecognizable, fire-ridden
silhouette runs through the house.

:14:22
I don't want to.
Let me go!

:14:26
Thank you!
:14:30
Now you feared the camera.
I could see it in your acting.

:14:39
Apart from that it was very nice.
:14:45
Take a brake. Go drink some,
and do a touch up on the make-up.

:14:54
The Concentration Is Total
And We Don't Let Anything Disturb Us.

:14:59
I know of whom you're thinking of.
:15:00
-Take this!
-Almas kettle!

:15:06
A big grey-haired man.
He is blue-eyed.

:15:06
He should have a book to read.
:15:11
Get rid of the cane.
:15:11
He's increasingly scared.
:15:16
Right now he is dreaming.
He kneels in front of an altar.

:15:16
Give it here.
:15:20
By the altar hangs the crucified
prophet.

:15:22
Alma should have a kettle.
No, without the tray.

:15:23
In his dream he stands up
and shouts:

:15:27
"My god, my god -
Why have you abandoned me?"

:15:30
Like that, Yes.
And a coffee cup as well.

:15:31
Nobody answers him.
Not as much as a laughter.

:15:35
-Don't talk like that.
-It's not me talking.

:15:36
-With any coffee inside?
-Leave it for now.

:15:41
It's you.
:15:43
Allan Edwall Practises The Role
Of The Ghost In Hamlet.

:15:47
You can wear it in your sleeve.
:15:48
It's Hard To Portray A
"Bad Actor"

:15:51
I'll fix it later.
:15:53
Listen up, if you love
your precious father.


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