:49:03
You're driving it, too. I see.
:49:11
Sorry. This is for love, I'm doing this,
you understand. And for art.
:49:17
- He just wanted to...
- For the sake of art.
:49:19
If you think you know me or you have
some part of me because of the music...
:49:23
and then you think that I'm being
controlled like a dog on a leash...
:49:27
because I do things with her...
:49:29
then screw you, brother, or sister.
You don't know what's happening.
:49:33
I'm not here for you.
I'm here for me and her.
:49:37
Is that the audience
you're keeping out there?
:49:39
I'll try and get them to let you in.
:49:41
This way.
:49:44
Can I put something to both of you...
:49:46
about this creative phase
that you're both going through at present?
:49:49
I think you've got to accept, John
and Yoko, that, particularly you, John...
:49:53
that it's alienated you from the people
who originally loved you in this country.
:49:57
- A lot of them.
- They don't understand you anymore.
:49:59
The alienation started
was when I met Yoko.
:50:03
And people do not seem to like
people getting a divorce.
:50:06
It's all right to do it quietly,
but we can't do it quietly.
:50:09
So everyone has this impression
that John's gone crazy.
:50:13
But all I did was fall in love,
like a lot of people do...
:50:15
who are already married,
who married somebody very young.
:50:19
We're not superhuman
and we really get hurt by abuse.
:50:22
We don't mind criticism of our work at all.
:50:25
But the British press
actually called Yoko ugly in the papers.
:50:28
I've never seen that
about any woman or man...
:50:30
even if it was that the person is ugly.
:50:33
You don't normally say it in the paper.
:50:35
"That ugly woman." And she's not ugly.
:50:37
And if she was, you wouldn't be so mean.
:50:40
They even say "attractive" about the most
awful-Iooking people, just to be kind.
:50:44
That's the kind of treatment
we were getting at that time...
:50:46
and it really hurt us.
:50:57
John!