:03:03
You'd want your mommy too,
if you had to say all this.
:03:05
-Cut!
-Oh, Lowell, l'm sorry.
:03:08
End marker.
:03:11
l'm sorry.
:03:13
l'm sorry, Lowell.
:03:15
You can't use any of it?
You hate me now, don't you?
:03:18
No, it's funny. l don't hate you.
:03:21
l hate myself for not using cutaways.
lt was terrific up to that point.
:03:26
Let's go, folks.
Back to one. lnto position.
:03:29
Do l have time
to go to the men's room?
:03:32
You bet.
:03:33
Back to one!
:03:34
Don't hit your chest
because of the body mike.
:03:37
l'm lucky to get through that speech
at all. lf l hit my chest, forgive me.
:03:42
You'd hit my chest too.
:03:44
Work with us, people!
Back to one as quickly as possible!
:03:47
-Reloading.
-You can say that again.
:03:50
-l will after the next shot.
-lf l make it all the way through.
:04:12
Very nice, guys. Tom, take this out.
Back to one, please.
:04:16
Where's my plane ticket?
:04:21
You fuck up my movie, l'll kill you.
:04:25
You know what l'm talking about
and so does everybody on this set.
:04:29
l don't care what you do to your body
on your time, but this is my time.
:04:33
l won't have some spoiled, selfish,
coked-up little actress ruin my movie.
:04:39
Pull yourself together
and work with us these last days...
:04:42
...or l'll kill you
before you kill yourself.
:04:45
l'll do a better job. You're so
out of it, you'd botch that up.
:04:50
Can you do the shot
straight through this time?
:04:53
Yeah.
:04:55
Okay, back to one.
Let's try it again.
:04:58
What's your name?
:04:59
-Cindy.
-Cindy. That's perfect.