:09:00
-That would be with some other director.
-We have already discussed that.
:09:05
Oh, we have, have we?
:09:08
John, could l talk to you
in the bedroom for a moment?
:09:15
-What's this bullshit about another director?
-You know l wouldn't do that to you.
:09:19
You'd sell your mother
down the river to make a deal.
:09:23
What the hell is the matter with you, John?
Do you want to kill this project?
:09:27
No. No, l don't.
:09:29
Then why bring up the possibility of bogging
down? You scared the bejesus out of them!
:09:35
Then telling them that you'd quit if the
picture wasn't made in Africa. Good God!
:09:39
lf one frame of this picture
is shot in England, l will quit.
:09:43
But it won't be.
:09:45
But you discussed it behind my back,
you son of a bitch.
:09:48
l didn't mention it because there isn't
a chance it could be done that way.
:09:54
You'll guarantee that, l suppose?
:09:56
Yes, goddamn it. l guarantee it!
:10:00
Well, your guarantee doesn't mean
a damn thing to me.
:10:03
l'm not gonna make some fake,
crappy mess just to please you.
:10:07
So l don't care if this picture's shot
in black and white or sepia tone...
:10:11
...or we have to make
the whole damn thing in animation.
:10:13
Pete and l are going to Africa.
:10:26
-What's the effective range of this thing?
-About 1 00 yards, sir. Not much more.
:10:31
That's plenty for your buff
and your elephant.
:10:33
They kill them at 20 yards, kid.
:10:35
Well, even closer than that sometimes,
so they tell me.
:10:39
Of course, l've never been to Africa,
but this man has.
:10:43
Makes for invaluable reading.
:10:44
John Taylor.
Big Game and Big Game Rifles.
:10:47
-We'll need two of these.
-We'll take two of these rifles right here...
:10:51
...and two of the smaller ones,
the Mannlichers 256.
:10:54
And that's to shoot for the pot,
so to speak.
:10:56
-And then one 1 2-gauge shotgun.
-Always a useful thing to have along, sir.