:06:00
- Dotty!
- Come back?
:06:03
Yes, and go out with the newspaper.
:06:06
The newspaper.
Oh, the newspaper.
:06:10
Hang up the phone, leave the sardines
and go out, with the newspaper.
:06:15
- Here.
- Sorry.
:06:17
- Don't worry. It's just the tech.
- It's the dress, Garry.
:06:22
- When was the tech?
- When's the dress? We open tomorrow.
:06:26
We're thinking of it as the tech.
:06:28
- It's the words.
- Don't worry about the words.
:06:32
And that accent.
It's like oranges and lemons.
:06:35
Your words are fine. Better than the...
you know? Isn't that right?
:06:40
- Sorry?
- I mean, OK, he's the...
:06:43
But, Dotty, you've been playing
this kind of part for, well, I mean...
:06:47
Jesus, Dotty, you know?
:06:49
Garry and Brooke are off,
Dotty is holding the receiver.
:06:54
We open tomorrow,
we've only had two weeks rehearsal,
:06:58
we don't know where we are,
but here we are.
:07:01
- Right, Lloyd?
- Beautifully put.
:07:04
We're playing Des Moines,
then Pittsburgh,
:07:08
then God knows where
and we're all feeling, you know?
:07:12
- Aren't you?
- Sorry?
:07:14
Garry, you're off.
:07:16
- Sorry, Lloyd, but...you know?
- I know.
:07:19
- Thanks, Lloyd.
- So you're off...
:07:22
Lloyd, let me just say one thing.
:07:24
I've known many directors,
some geniuses, some bastards,
:07:28
but I've never met one
who was so totally...I don't know.
:07:33
Thank you, Garry, I'm very touched.
Now get off the fucking stage.
:07:38
- And Brooke?
- Yes?
:07:40
- Are you in?
- In?
:07:42
- Are you there?
- What?
:07:44
You're out. OK, I'll call again.
:07:47
And on we go.
:07:49
So, there you are,
holding the receiver.
:07:52
I hold the receiver. I hang it up.
I leave the sardines.
:07:56
- Always the same story...
- And you take the newspaper.