:41:01
- Interesting.
- Yes.
:41:03
- Will the audience get it?
- You show them.
:41:07
- That's what acting's about.
- Thank you, Lloyd.
:41:11
So, from your entrance, Freddy.
:41:13
What's going to be left of this show
when I'm back in New York
:41:18
and you're up there on your own?
:41:20
So, where's my other sheet?
:41:24
Ah! A house of heavenly peace!
I rent it!
:41:29
- You!
- Is it?
:41:30
- Who else?
- You ask to view this house
:41:34
when you're a trouserless tramp!
:41:37
- You took the clean sheets!
- You snatched my nightdress.
:41:40
You tossed me aside
like a broken china doll.
:41:44
I won't ask what you were up to with
my girl, but I'll tell you one thing.
:41:50
- Brooke!
- Sorry.
:41:52
Your line! We're two lines
from the end of the act.
:41:55
- I don't understand.
- Tell her.
:41:58
- "What's that, Dad?"
- But I don't understand.
:42:01
I say, "I'll tell you something."
You say, "What's that, Dad?"
:42:05
I don't understand why the sheikh
looks like Philip.
:42:10
Poppy! Bring the book!
:42:13
Is it "I don't understand why the
sheikh looks like Philip"?
:42:17
Can we consult the author's text?
"What's that, Dad?"
:42:22
Right. That's the line.
:42:24
We know you've worked in places
where you make it up as you go along,
:42:29
but we don't want that here, not when
there's a polished line already.
:42:35
Not at 1 a.m., not two lines
from the end of act one.
:42:38
Not when we're about
to get a coffee break.
:42:42
We merely want to hear the line
"What's that, Dad?" That's all.
:42:47
Nothing else!
:42:49
I'm not being unreasonable, am I?
:42:53
Exit? Does it say "exit"?
:42:58
Oh, my God. She's going
to wash away her lenses.