Barcelona
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:25:01
How could you tell I felt that way?
:25:03
During the whole concert,
your expression was like this.

:25:08
- You're very perceptive.
- What?

:25:10
- You're very perceptive.
- What?

:25:13
You are very perceptive.
:25:17
- Thank you.
- I don't like perceptiveness of that kind.

:25:25
It's a typical pretty-girl thing...
:25:27
...using observation for ridicule,
as if impertinence were cute and charming.

:25:33
My impression of Aurora is...
:25:35
...that she'd be more apt to use
observation for comprehension.

:25:39
- You don't think Aurora's pretty?
- No.

:25:42
But she's beautiful.
:25:45
- Physically?
- Yes.

:25:47
- Her eyes...
- She's beautiful because of her eyes?

:25:49
Yes.
:25:50
She also has a beautiful...
:25:54
- Figure?
- Yes.

:25:57
Apparently, you are just the sort
of dangerous, foreign man she likes.

:26:02
What do you mean?
:26:04
Your brother told her about your interests.
:26:06
- What?
- You know?

:26:08
No.
:26:09
The Marquis de Sade, games of leather,
weekends of fun.

:26:12
The straps under your clothes.
:26:14
He said that?
:26:15
That's completely untrue.
:26:17
He promised
he wouldn't say that anymore.

:26:20
He's not my brother.
:26:23
You don't know anything
about the Marquis de Sade?

:26:26
No.
:26:28
I don't believe you.
:26:36
So you're not wearing them tonight.
That doesn't prove anything.

:26:40
Maybe they're at the cleaners.
:26:47
It turned out we both loved
disco music of the late 1970s...

:26:51
... despite what everyone else thought.
:26:55
We talked about all kinds of things.
:26:57
You know how at parties
people talk about marketing?


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