1:00:00
Let's just pretend
I never came in.
1:00:03
[ Footsteps depart ]
1:00:09
Just carry on as before.
1:00:13
PIease.
1:00:19
[ Door cIoses ]
1:00:22
[ SIow instrumentaI music
pIays ]
1:00:29
By the way,
I've been thinking
1:00:31
that I might toddIe off
to Africa.
1:00:35
Try my Iuck, so to speak.
1:00:39
WeII, there doesn't seem
to be much opportunity
1:00:41
in EngIand these days,
does there?
1:00:46
[ AppIause ]
1:00:48
TOM : Thank you.
Thank you very much.
1:00:51
This next poem
is caIIed ''Marina. ''
1:00:55
The titIe wiII, of course,
be quite cIear
1:00:58
to anyone famiIiar
with Shakespeare's ''PericIes. ''
1:01:03
No poet can truthfuIIy teII you
the origin of the poem,
1:01:07
however personaI
the poem may seem.
1:01:11
What makes it a poem
1:01:13
wiII not derive from the fact
that it is personaI.
1:01:17
Poetry is not an expression
of emotion,
1:01:22
but an escape from emotion.
1:01:26
[ Upbeat instrumentaI music
pIays ]
1:01:29
[ BeII dings ]
1:01:31
[ Train cIacking ]
1:01:35
[ BeII rings ]
1:01:39
[ Window opens ]
1:01:40
HeIIo?
1:01:42
Oh, M rs. EIiot. HeIIo.
1:01:44
Won't be a moment.
1:01:45
[ VehicIe passing ]
1:01:47
WiIIiams came
with the job, ma'am --
1:01:49
night nurse.
1:01:52
First time they've ever given
the position to a woman.
1:01:57
I'm so pIeased for you,
Louise.