:53:00
You're not a person to me, you're
an entry in a book, a guy who owes me.
:53:06
All right, how about this?
:53:12
Woh, oh, wow, not bad!
:53:15
Not bad.
No wonder you're Martin Weir.
:53:19
That's what I think of you, asshole.
Nothing.
:53:24
I believe it.
:53:26
So, I turn this on
when I confront the guy?
:53:28
You haven't found him yet,
he's split for Las Vegas.
:53:31
- How do I know that?
- Because his wife told you.
:53:35
His wife told me. OK.
:53:44
Harry, how you doing?
:53:47
Great.
:53:49
I'm expecting some people.
:53:52
You must be doing some big deals
doing lunch in a place like this.
:53:55
I'm working on a few things.
:53:57
I hear you bagged Martin Weir
for Mr Lovejoy.
:53:59
Word gets around, huh?
:54:02
Chili Palmer told me
when he called me over to talk about it.
:54:07
He showed you my script?
:54:09
Yeah. I was wondering
why he would do that.
:54:13
The wife sues the airline?
Some gutsy babe!
:54:17
Good looking, too, like Karen.
:54:19
When do I meet the husband
and give him the look?
:54:22
That's not so simple.
:54:23
There's a mob guy.
You owe him money.
:54:26
He wants to take you out
because you broke his nose.
:54:30
Keep going.
:54:33
At this point, basically,
that's gotta be it.
:54:36
That's all you'll tell me?
:54:37
The reason we came by
was to talk about Mr Lovejoy.
:54:41
We understand that you read
the script and you loved it.
:54:45
Refresh my memory.
:54:47
Listen, how'd you like
to get your hands on $500,000?
:54:50
Pay me back at your convenience,
no interest.
:54:53
Are you serious?
:54:55
All I want in return
is to work on this movie with you.
:54:58
I've got some ideas
on how to fix it up.