1:23:04
- Hi, Martin.
- Sweet face.
1:23:07
You look great. You smell good, too.
1:23:09
Thanks.
1:23:13
So, Harry, I hear you had
quite an experience.
1:23:18
Anyway, I'm glad you're OK.
1:23:20
I'm glad you rejected me ten years ago
for the part of Eddie Solomon,
1:23:25
the paedophile clown.
1:23:28
If I'd have gotten that part,
I might have been typecast!
1:23:31
Have you guys ordered?
Can we order?
1:23:35
Excuse me, could you...?
1:23:38
- Hi, what's your name?
- Stephanie.
1:23:39
Hi, Stephanie.
1:23:40
Can you make an egg white omelette
with slightly brown shallots and no salt?
1:23:48
Bring one for the table.
1:23:50
No...
1:23:52
How about those strawberry frappes,
drinks with little strawberries?
1:23:57
And bring two straws for Harry.
1:24:01
Anyway, I think the romance angle
in your story is critical.
1:24:06
This shouldn't be a hop in the sack.
These two should fall in love.
1:24:10
Which two?
1:24:11
Then, when the mob guy's chasing them,
1:24:15
it adds a wishful element
to their romance.
1:24:18
Mob guy?
1:24:20
As the mob guy, it's another
man's wife I'm sleeping with.
1:24:24
After all, you have such morals.
1:24:28
I have to run,
1:24:30
but I'd like to see them having
misgivings about wanting the money.
1:24:34
It's a moral dilemma for them.
1:24:37
They rationalize taking it,
but in the end, they can't.
1:24:41
What money?
1:24:42
The 300 large.
1:24:43
I shouldn't discuss this until I've read
the script, but I have such a good feeling.
1:24:48
I am that shylock.
1:24:54
Look at me, Harry.
1:24:57
Not bad!
You're really getting it down.