1:24:01
Anyway, I think the romance angle
in your story is critical.
1:24:06
This shouldn't be a hop in the sack.
These two should fall in love.
1:24:10
Which two?
1:24:11
Then, when the mob guy's chasing them,
1:24:15
it adds a wishful element
to their romance.
1:24:18
Mob guy?
1:24:20
As the mob guy, it's another
man's wife I'm sleeping with.
1:24:24
After all, you have such morals.
1:24:28
I have to run,
1:24:30
but I'd like to see them having
misgivings about wanting the money.
1:24:34
It's a moral dilemma for them.
1:24:37
They rationalize taking it,
but in the end, they can't.
1:24:41
What money?
1:24:42
The 300 large.
1:24:43
I shouldn't discuss this until I've read
the script, but I have such a good feeling.
1:24:48
I am that shylock.
1:24:54
Look at me, Harry.
1:24:57
Not bad!
You're really getting it down.
1:25:00
It scares me how well I know
this guy. I could do this tomorrow.
1:25:08
Doll face. You should think
about getting back into acting.
1:25:14
- I'll give it some heavy thought.
- OK.
1:25:21
Take care of yourself, Harry.
1:25:28
Enjoy.
1:25:35
Let me help you out. Go ahead.
1:25:42
Suck harder.
1:25:52
Chili, wake up!
Somebody's downstairs.
1:25:55
It's Harry.
1:25:57
How do you know?
1:25:58
He's doing what you did to him,
playing Letterman on TV.