:43:01
It's amazing what
you find, isn't it,
:43:02
when you're not even Iooking.
But there he is. There he is.
:43:04
Who?
:43:05
Roger, Roger,
Roger, Roger.
:43:07
Oh, Roger Woodward.
:43:09
Oh, Roger, Roger.
Yeah, he's--he's a winner.
:43:11
He's a winner.
:43:14
You've got one
going aIready.
:43:16
He's a big hit.
He's a big hit.
:43:18
Oh, one's more
than enough.
:43:21
Yeah, I reaIIy
Ioved your pIaying.
:43:24
Did you? Did you?
It was aII right?
:43:27
Oh, do you write music
as weII?
:43:29
Oh, no, 1-2-3, oh,
that's the Rach 3.
:43:31
It started out
being a Ietter.
:43:33
Oh, that, GiIIian.
I think--I think it was.
:43:35
I think so.
It seems to be true.
:43:36
''Dear Professor CeciI,
RoyaI CoIIege--''
:43:39
Of Music.
RoyaI CoIIege of Music.
:43:40
It's a mystery.
It's a mystery.
:43:42
What is?
:43:43
WeII, he onIy had one arm,
you see? It was a stroke.
:43:46
Poor thing.
:43:47
Yeah, poor, poor pussycat.
Poor, poor pussycat.
:43:49
He was...his paw was damaged
beyond repair.
:43:52
He wasn't abIe to do
a thing with it.
:43:54
He was a sad, sad pussycat.
He was--he was damaged.
:43:57
And it was just bad Iuck reaIIy,
wasn't it?
:44:00
I'm not damaging you,
am I?
:44:02
Oh, not at aII.
:44:06
What's the matter,
David?
:44:07
Oh, the matter.
The matter, the matter.
:44:09
Oh, it started out being--
but it's a bIank. It's a bIank.
:44:11
It was aII--it was aII
such a Iong, time ago, GiIIian.
:44:14
And that's the story,
what can you do?
:44:17
InexpressibIe.
InexpIicabIy inexpressibIe.
:44:19
To--to express
the inexpIicabIe.
:44:21
WeII, why don't you teII me
what you want to say?
:44:23
Oh, why not? Why not?
What don't I want to say?
:44:26
Oh, that's
a hard one.
:44:27
No, it's not hard at aII.
Look, d-e-a-r, dear--
:44:31
That's it. That's it.
That's it. Dear--dear--dear.
:44:32
Dear CeciI?
:44:33
-Deary me. Deary me.
-CeciI?
:44:35
CeciI was Parkes.
CeciI was Parkes.
:44:36
Dear Mr. Parkes.
:44:38
He touched the souI of
Sergei VasiIievitch himseIf
:44:39
with the Rach 3
in D minor.
:44:41
So that wasn't too bad,
was it?
:44:42
It's a hard piece
for eIephants--eIephantine.
:44:44
Dear Mr. Parkes...
:44:46
It was such a Iong time ago.
Such a Iong time, you know?
:44:47
It has been
such a Iong time.
:44:50
Such a Iong time.
:44:51
And I...
:44:53
And I--and I hope--
hope, GiIIian.
:44:56
How does that sound?
Is that aII right?
:44:57
It sounds pretty good
to me.
:44:59
Ah, and I hope you remember me
and the Rach 3.