:44:00
I'm not damaging you,
am I?
:44:02
Oh, not at aII.
:44:06
What's the matter,
David?
:44:07
Oh, the matter.
The matter, the matter.
:44:09
Oh, it started out being--
but it's a bIank. It's a bIank.
:44:11
It was aII--it was aII
such a Iong, time ago, GiIIian.
:44:14
And that's the story,
what can you do?
:44:17
InexpressibIe.
InexpIicabIy inexpressibIe.
:44:19
To--to express
the inexpIicabIe.
:44:21
WeII, why don't you teII me
what you want to say?
:44:23
Oh, why not? Why not?
What don't I want to say?
:44:26
Oh, that's
a hard one.
:44:27
No, it's not hard at aII.
Look, d-e-a-r, dear--
:44:31
That's it. That's it.
That's it. Dear--dear--dear.
:44:32
Dear CeciI?
:44:33
-Deary me. Deary me.
-CeciI?
:44:35
CeciI was Parkes.
CeciI was Parkes.
:44:36
Dear Mr. Parkes.
:44:38
He touched the souI of
Sergei VasiIievitch himseIf
:44:39
with the Rach 3
in D minor.
:44:41
So that wasn't too bad,
was it?
:44:42
It's a hard piece
for eIephants--eIephantine.
:44:44
Dear Mr. Parkes...
:44:46
It was such a Iong time ago.
Such a Iong time, you know?
:44:47
It has been
such a Iong time.
:44:50
Such a Iong time.
:44:51
And I...
:44:53
And I--and I hope--
hope, GiIIian.
:44:56
How does that sound?
Is that aII right?
:44:57
It sounds pretty good
to me.
:44:59
Ah, and I hope you remember me
and the Rach 3.
:45:02
I'm--I'm feeIing
much better again now.
:45:04
I'm feeIing much
better again, aren't I?
:45:05
Yeah, and--and I've started
pIaying again.
:45:43
WeII done, Roger.
Oh, yeah! Oh!
:45:51
That was good.