:27:01
You want to see everything in films
like these
:27:04
The more you see, the better
:27:06
So why cut it?
:27:08
So we won't see something
:27:13
Why me? Please -
:27:17
She was going to say something
:27:19
What?
:27:20
Something he doesn't want us to hear
:27:26
His name
:27:28
- She knew who he was
- So what?
:27:31
So now we know something
about him
:27:35
You sound like the police
:27:37
Hey, don't insult me
:27:41
We must find who were her friends
:27:44
He might be one of them
:27:45
Look...
:27:51
I've had enough of this
:27:53
You're scared
:27:54
Of course I am, this isn't a game.
It's real killing
:27:57
Piss off, then.
I'll do this on my own
:28:00
You don't get it - I said it's over!
:28:03
For you as well
:28:04
I don't want any trouble
:28:05
- I won't get you into trouble
- So what will you do?
:28:09
Go after anyone with a camera
like that?
:28:11
And if you find him?
Or he finds you?
:28:13
That's my problem
:28:17
Too right it is
:28:19
I've never been here, I don't know you
and I've never seen that tape
:28:32
What is cinema?
:28:35
Cinema is an industry, it's money
:28:39
It's millions invested in films
and then retrieved at the box office
:28:44
We have no cinema because it's not
seen as industry
:28:48
There's no communication between
the makers and their public
:28:52
We've reached a critical stage
:28:54
Spanish cinema can only be saved
if it's accepted as an industrial factor