The Blackout
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:23:02
That ain't me.
:23:03
Yeah, I heard about
all the guys you been fuckin'.

:23:08
- Come on!
- It's all over Hollywood.

:23:11
- That ain't me. I was--
- You fuckin'cunt. Who you fuckin'?

:23:15
Why don't you tell me
who you been fuckin'?

:23:19
Because it ain't my baby.
:23:22
It ain't my baby.
Who knows who you been with?

:23:25
Just talkin' to a friend, you know?
We were--

:23:27
- Yeah, that's right.
- We were rehearsing.

:23:31
- You know, I was playin'.
- What am I talkin'to you for?

:23:34
What am I talkin'to you for?
:23:37
It's a waste of time.
:23:40
Fuck you. Fuck the baby.
Fuck everything.

:23:43
I don't care if I ever see you again
the rest of my life! Understand me?

:23:47
I don't care if I ever see you.
:23:49
And fuck you.
:24:06
Oh, yeah. Oh, yeah.
:24:06
Oh, yeah. Oh, yeah.
:24:09
There you go. Oh, yeah.
:24:13
Whoa.
:24:16
Keep it movin' in here.
Keep it goin'.

:24:21
Kate? Does this thing come down?
:24:24
We have to load this
from the top with her.

:24:27
She can't be pulled up on this.
Is that right?

:24:31
- Right.
- Okay, yeah, well, that's a problem.

:24:34
We got five cameras
going in various places...

:24:36
on these big screens
all around that you can see.

:24:39
We're rackin' the money in
comin' in...

:24:42
gettin' the people comin' in
and then we, you know--

:24:45
If they want to pay more,
they can be in the film themselves.

:24:48
We have live acts
goin' on all the time.

:24:50
We can run silent here,
and everybody can stop talkin'.

:24:53
We can shoot a picture over here.
:24:56
-Hey, Matt.
-We're makin' another movie called Nana.

:24:57
Ever see Nana, the old French film?
:24:59
- You all right?
- I'm all right.


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