:24:06
Oh, yeah. Oh, yeah.
:24:06
Oh, yeah. Oh, yeah.
:24:09
There you go. Oh, yeah.
:24:13
Whoa.
:24:16
Keep it movin' in here.
Keep it goin'.
:24:21
Kate? Does this thing come down?
:24:24
We have to load this
from the top with her.
:24:27
She can't be pulled up on this.
Is that right?
:24:31
- Right.
- Okay, yeah, well, that's a problem.
:24:34
We got five cameras
going in various places...
:24:36
on these big screens
all around that you can see.
:24:39
We're rackin' the money in
comin' in...
:24:42
gettin' the people comin' in
and then we, you know--
:24:45
If they want to pay more,
they can be in the film themselves.
:24:48
We have live acts
goin' on all the time.
:24:50
We can run silent here,
and everybody can stop talkin'.
:24:53
We can shoot a picture over here.
:24:56
-Hey, Matt.
-We're makin' another movie called Nana.
:24:57
Ever see Nana, the old French film?
:24:59
- You all right?
- I'm all right.
:25:01
- You seen Annie?
- No, man.
:25:04
- Is this bar open?
- Yeah, what do you want?
:25:06
This is a whole functioning,
like, film place.
:25:09
Something cold.
:25:11
That's what we're selling.
That's the theme of the place.
:25:14
We're gonna generate
movies outta here.
:25:17
Something wet.
:25:18
You'd be lucky to get
into the basement door.
:25:20
Keep it fluid. Don't make it too jumpy
and, you know, too erratic.
:25:25
Keep it flowin'. It's lookin' good.
:25:27
- Erotic, not erratic.
- Yeah, erotic, not erratic. Good.
:25:33
Could you start it
from the top, please?
:25:38
I don't want this to look
too much like a gong show here.
:25:41
I want this sexy and hot. I'm gettin'
high-payin' high rollers in here.
:25:47
Let loose of the tits
with a brain or somethin'!
:25:49
We're not even talkin'!
Fuck it! Hey!
:25:51
You got the nerve to tell me
about cheating on my husband...
:25:53
when you haven't taken your eyes
off these fuckin' bosoms.
:25:57
Right. I chase--
That's all I do all day.