:32:00
You hear those birds?
:32:02
They're just going, so I'm gonna
cover that up and make the best of it.
:32:06
I was actually looking
at the storyboard here.
:32:08
I hadn't looked at it since yesterday.
It refreshed my memory about shot 37...
:32:14
where my head goes
through the cupboard.
:32:18
I had done this one about one-and-a-half
years ago or whenever we filmed last.
:32:23
This was the one shot that I had hoped
that we got right the first time.
:32:28
Mark.
:32:32
Mike, take it easy.
Let's not go through all--
:32:34
Hey, man, what the fuck's
the matter with you?
:32:38
Man.
:32:43
- Oh, you did follow me.
- Yeah.
:32:46
- We didn't move out?
- No.
:32:48
- We gotta move out.
- Right.
:32:50
- We're gonna need another one.
- Do a take three.
:32:56
It's about 11:30 in the morning.
We got till 6:00 p.m. to do 52 shots.
:32:59
We'll do it, and we'll end it
in a beautiful fucking bloodbath.
:33:03
So I don't wanna--
:33:10
I'll be right there. I got the perfect
blankets. I just found them.
:33:13
That camera will be silent.
:33:16
What the fuck
is wrong with you, man?
:33:26
We're running a little late here...
:33:29
and I'm getting set up
for the last shot.
:33:31
I always give a finite time
that I'm gonna end...
:33:34
so I can get out of here
at a reasonable time...
:33:36
but I'm also aware that it's kind of
Mark's dream to finish the film...
:33:41
and so I try to strike a balance
and, you know, not split too early.
:33:46
This is the door that Tom Schimmels
is gonna get his head put through.
:33:50
I put a few scores in here
to lessen the blow...
:33:57
so no permanent damage done to him,
and he appreciates that.