1:24:34
This here, I remember very well...
1:24:37
...a photo you took which served
as a model for a painting.
1:24:42
This was the moment when he
saw the painting for the first time.
1:24:48
You can see how we had
relaxed moments with one another.
1:24:52
But his mood changed
completely here.
1:24:55
Suddenly something in the
picture didn't suit him anymore...
1:24:59
...and he exploded and
started screaming like a berserk.
1:25:03
Yes, that happened from
one second to the next.
1:25:05
He had this capacity for becoming
a totally different person.
1:25:10
This polarity that manifested
itself again and again.
1:25:18
This became our poster.
1:25:21
Nobody believed, at first, that we
heaved the boat across the mountain.
1:25:26
You have furnished the proof
and the movie does it as well.
1:25:30
Yes, here's the evidence in
black and white, and on paper.
1:25:35
It is a great metaphor -
for what, I don't know to this day...
1:25:39
...but I know it's a great metaphor.
1:25:42
Here, 'Cobra Verde', the end.
1:25:45
This is where you show Kinski
how to walk in this scene.
1:25:50
in front of this crippled man, yes.
1:25:54
He had polio as a child and
you cast him in the film.