1:25:03
Yes, that happened from
one second to the next.
1:25:05
He had this capacity for becoming
a totally different person.
1:25:10
This polarity that manifested
itself again and again.
1:25:18
This became our poster.
1:25:21
Nobody believed, at first, that we
heaved the boat across the mountain.
1:25:26
You have furnished the proof
and the movie does it as well.
1:25:30
Yes, here's the evidence in
black and white, and on paper.
1:25:35
It is a great metaphor -
for what, I don't know to this day...
1:25:39
...but I know it's a great metaphor.
1:25:42
Here, 'Cobra Verde', the end.
1:25:45
This is where you show Kinski
how to walk in this scene.
1:25:50
in front of this crippled man, yes.
1:25:54
He had polio as a child and
you cast him in the film.
1:26:01
You used to act things out
for Klaus, beautifully.
1:26:06
We often changed parts. I could
have played this role as well.
1:26:12
You would have also been
a good Fitzcarraldo.
1:26:14
That's what you are, in reality.
1:26:17
I truly like this very much. It
happened because...
1:26:19
...he must have sensed the
presence of your camera.
1:26:24
He also just wanted to
let you have it, didn't he?
1:26:32
There you are, directing the army
of 800 women, Amazon warriors.
1:26:42
Yes, like a shepherd dog, as usual
without megaphone or loudspeaker.
1:26:47
Always running.
1:26:49
Kinski was very physical
too, but differently.
1:26:53
He drew everyone and I
held them together.
1:26:57
That's what you do and you
have done it with bravado.