:17:02
You've got to hear this.
Meet my father,
:17:04
Herbert Richard Greenleaf l.
:17:06
Pleasure to meet you.
Dickie's made a fine catch.
:17:10
- Uncanny !
- I know Emily thinks so.
:17:13
- I don't get it.
- It's uncanny.
:17:15
Could you ever conceive
of going to Italy, Tom,
:17:18
and, uh, bringing him back ?
:17:21
- What ?
- I'd pay you.
:17:24
If you would go
to Italy,
:17:26
persuade my son to come home,
I'd pay you a thousand dollars.
:17:32
[Dickie]
Im never going back.
:17:34
To actually hire somebody
to come all the way here...
:17:37
to drag me back home--
:17:39
Got to be a little
insane, doesn't he ?
:17:41
- Ciao, Fausto.
- [ Italian ]
:17:48
- This is Tom.
- Ciao, Tom.
:17:50
[ Italian ]
:17:53
- I'm never going back.
- No, I think--
:17:55
Your mother, her illness,
I think that's--
:17:57
It's got nothing to do
with my mother.
:18:00
She's had leukem--
This is what makes me boil about him.
:18:04
He wants me back.
He wants me back.
:18:08
- It's got nothing to do with my mother.
- Look, I don't know--
:18:10
Go back.
Go back to New York.
:18:12
Or call him, if you can find
a telephone that works,
:18:14
and tell him wild horses wouldn't
drag me back to him or his shipyard.
:18:21
- Hi, Tom.
- Hi.
:18:24
Marge, Tom's saying good-bye.
:18:27
Oh, I'll come down.
:18:30
So, uh, did you
speak to my father ?
:18:33
Oh, you were right...
about the telephones.
:18:35
- I told you.
- There are no lines.
:18:37
- There's some problem.
- That's Italy.
:18:42
Tom. You're off ?
What are your plans ?
:18:46
Oh, back, I suppose,
as slow as I can. Oh !
:18:49
This bag !
:18:53
Hey.
You like jazz.
:18:57
I love jazz.