:47:02
but it's a coincidence.
:47:04
Your nose alone
should tell you that
:47:05
Lynch is not capable of
this kind of thing.
:47:07
I went back over
some of the security videos
:47:10
from the art gallery, sir.
I found this.
:47:11
Lynch and his wife Christine
on a day out.
:47:15
I know it's not
evidence of anything, sir
:47:16
but what the fuck
is Michael Lynch doing
:47:18
at a seventeenth century
Italian art exhibition?
:47:20
My wife went to that exhibition!
:47:23
I'm sorry, but we'd look like fools
:47:25
presenting that idea
to the top lads in Interlope.
:47:27
If my training with the FBI
has taught me anything,
:47:30
it's these specialist robberies
:47:32
are the preserve of
a few international gangs.
:47:34
Germans, Dutch, art thieves that
really know their business.
:47:38
Come on, Noel, admit it.
:47:39
Lynch just isn't in that league.
:47:47
Behave yourself.
:47:54
Oh, charge it to room 764, please.
:47:56
No... Peter. In fairness you've
travelled a long way to meet us.
:47:59
You have to let me pay this time.
:48:01
Hey, you know it's no problem.
:48:03
You'll be paying
the hotel bill anyway.
:48:04
Hey, Alec, he's right.
He's fucking right.
:48:05
So we will.
:48:06
Hey, I like your style, Peter.
:48:09
Smart fella there.
I like that.
:48:10
Oh phone call. Won't be long.
:48:12
Hey, Peter, I think that slapper
over there has her eye on you.
:48:15
What's a slapper?
:48:16
Yeah... no, yeah, no,
half eleven's fine, yea...
:48:18
No... I'll be there, yeah...
:48:20
It's certainly not the MO
of any gang that we know.
:48:23
Which suggests very strongly that
:48:25
it's a very clever
local Irish operation.
:48:28
You've probably come to that
conclusion yourselves already.
:48:31
Oh yes, oh, indeed, aye.
:48:35
Well, of course we're
pretty confident at this stage
:48:38
that this is the work of
a gang led by Michael Lynch.
:48:41
Now, I'm personally familiar
with Lynch's MO
:48:43
and though normally art theft
isn't really histhing,
:48:46
this particular robbery seems to
have his mark on it all right.
:48:50
If you know who you're dealing with
:48:52
it will make a recovery operation
much easier.
:48:56
We know that someone here in Dublin
:48:59
has made contact with a fence
in Amsterdam.