:48:01
Hey, you know it's no problem.
:48:03
You'll be paying
the hotel bill anyway.
:48:04
Hey, Alec, he's right.
He's fucking right.
:48:05
So we will.
:48:06
Hey, I like your style, Peter.
:48:09
Smart fella there.
I like that.
:48:10
Oh phone call. Won't be long.
:48:12
Hey, Peter, I think that slapper
over there has her eye on you.
:48:15
What's a slapper?
:48:16
Yeah... no, yeah, no,
half eleven's fine, yea...
:48:18
No... I'll be there, yeah...
:48:20
It's certainly not the MO
of any gang that we know.
:48:23
Which suggests very strongly that
:48:25
it's a very clever
local Irish operation.
:48:28
You've probably come to that
conclusion yourselves already.
:48:31
Oh yes, oh, indeed, aye.
:48:35
Well, of course we're
pretty confident at this stage
:48:38
that this is the work of
a gang led by Michael Lynch.
:48:41
Now, I'm personally familiar
with Lynch's MO
:48:43
and though normally art theft
isn't really histhing,
:48:46
this particular robbery seems to
have his mark on it all right.
:48:50
If you know who you're dealing with
:48:52
it will make a recovery operation
much easier.
:48:56
We know that someone here in Dublin
:48:59
has made contact with a fence
in Amsterdam.
:49:02
Let us call him Peter.
:49:04
Peter had made contact with us
:49:06
to offer his co-operation.
:49:33
Good afternoon, lads.
:49:35
All set?
:49:36
All ready, sir.
:49:36
Noel...
:49:38
Yes, sir?
:49:39
Get to work.
:49:40
Right away, sir.
:49:48
Whatever you do,
:49:49
don't say anything to him
about where you're taking him,
:49:51
or mention anything
about the painting at all.
:49:52
Okay.
:49:53
Not a word.
:49:55
I mean it. Good luck.
:49:56
See you there, Michael.
:49:58
Do you like art, generally?