:49:02
Let us call him Peter.
:49:04
Peter had made contact with us
:49:06
to offer his co-operation.
:49:33
Good afternoon, lads.
:49:35
All set?
:49:36
All ready, sir.
:49:36
Noel...
:49:38
Yes, sir?
:49:39
Get to work.
:49:40
Right away, sir.
:49:48
Whatever you do,
:49:49
don't say anything to him
about where you're taking him,
:49:51
or mention anything
about the painting at all.
:49:52
Okay.
:49:53
Not a word.
:49:55
I mean it. Good luck.
:49:56
See you there, Michael.
:49:58
Do you like art, generally?
:50:00
What do you think of the painting?
:50:03
Oh, I couldn't give a shite, man,
to be honest with you.
:50:06
Well, it's a beautiful Caravaggio,
isn't it?
:50:12
Well, of course I realize,
:50:14
well, I suppse that
money is your main interest.
:50:20
I can tell you,
you don't like to talk,
:50:22
you have no interest
in conversation.
:50:24
Not true. I love a good chat, man.
:50:28
So, these are the beautiful
Dublin mountains.
:50:31
Spotter plane.
:50:32
They've got it, sir.
:50:34
All right.
:50:36
Let's hope
the weather remains fine,
:50:38
especially if
we have to view outdoors.
:50:48
Where do you want it?
:50:50
The Caravaggio?
:50:51
Upright somewhere.
:50:52
Lean it against the tree there.
:50:53
It's so strange to be standing on
a wooded mountain top
:50:54
looking at one of the great
marvels of Renaissance art.