:58:00
With a... young female colleague.
Checking some lenses...
:58:08
Good evening, buddy.
- Evening, Djole.
:58:11
I've something serious
to ask you.
:58:14
Have you bedded
that camerawoman yet?
:58:20
Get away...
- So you haven't.
:58:21
She's not that kind of girl.
- So you have.
:58:27
We went out together
for the first time today.
:58:30
What does it matter
how many times? It's war.
:58:33
When I can look after her, I can.
If I'm filming, I can't.
:58:37
Hey, does this go?
- Where's Masa?
:58:41
She's downstairs in the shelter
with the other kids.
:58:45
They love it down there
at the moment.
:58:47
Ah, so the kids are doing OK, eh?
You think so, eh?
:58:51
OK, so what's wrong now?
:58:53
Nothing. I didn't know my kid
would grow up in a shelter.
:58:56
So? Our parents did too,
and they were OK.
:58:59
They were missing half a brain
to have made a country like this.
:59:03
Oh, Lola...
Don't complain!
:59:06
I'm killing myself making
a film about you, and your...
:59:10
I'm sorry,
and how does that film end?
:59:13
What happens to that
brave doctor?
:59:16
That's not in the script. - We haven't
decided yet.
:59:20
You mean you're negotiating
with the cop over the ending.
:59:24
Look, Sergei. If you
want the film to be truthful...
:59:28
...and that woman really
to be like me, then you can write...
:59:32
write that the doctor
packs her bags...
:59:35
...and leaves for Germany
with her daughter.
:59:38
Sorry, what are you talking about?
- Fade to black... the end.
:59:45
They're pounding us tonight.
:59:49
I'm heading s... s... south
tomorrow. I swear I'll get even.
:59:55
Again? After parading around
in that uniform for 10 days!
:59:59
If you're going, go!