:01:00
My high-school boyfriend,
Charlie, left me for,
:01:03
Well, someone who didn 't have any boobs.
:01:06
Amanda. This isn't what it looks like.
:01:10
But that's all behind me now.
:01:12
I have a great job restoring paintings
at the Metropolitan Museum.
:01:16
I'm in the Renaissance art division,
:01:18
Where the men are easier to deal with.
:01:23
There you are, handsome.
:01:28
So there's this new hottie upstairs
in 20th-century sculpture.
:01:32
She is so sweet, and I swear I'm gonna be gettin'
all up in there, and I'm gonna be--
:01:36
Lisa, you are crossing the sharing boundary again.
:01:39
But seriously, we have to put in for transfers.
:01:42
Renaissance is a dead end.
We're gonna end up like the menopause triplets there.
:01:46
What? Hmm?
:01:49
I don't think I could ever leave Renaissance.
:01:51
I would miss these paintings way too much.
:01:53
I mean, they're just so romantic and--
:01:56
- Shit. Here comes old man Rankin. Look busy.
- Oh! Rat farts!
:01:59
I am busy.
Help me look busy.
:02:00
- Afternoon, ladies.
- When will we go to the Poconos again?
:02:06
Amanda, I need your help.
:02:10
Take a look at this piece of crap.
:02:14
Oh, my God, it's--
:02:17
That's Titian's The Bacchanal.
:02:19
- Oh!
- There she goes again.
:02:22
Look at this man's face.
It's completely lost.
:02:25
You're gonna have to start from scratch on that.
:02:28
Put aside your other work, Amanda.
This is priority number one for now.
:02:31
Oop!
:02:33
What's with you and this weak-in-the-knees routine?
:02:36
You do it every time you get a new painting.
:02:39
I do not.
Not every time.
:02:42
I mean, when I look at this painting,
:02:44
I can just tell that these people were in love...
:02:47
and they stayed in love until the day that they died.
:02:50
Amanda, it's a painting.
If this were real life, in two years,
:02:54
that girl would be pregnant and that guy
would be out banging a barmaid.
:02:57
Maybe that's why I like art better than real life.