:10:04
. . .and playing tournaments for money
that wouldn't be enough. . .
:10:08
. . .to fund an entire film.
:10:10
In 1 953, Kubrick's father cashed in
his life insurance. . .
:10:14
. . .to help his son make
Fear and Desire...
:10:17
. . .a film about a fictitious war.
:10:20
It was Kubrick's first feature.
:10:33
-She'll see us.
-Shut up.
:10:44
He was absolutely
and totally involved. . .
:10:48
. . .in the making of this movie.
:10:52
He knew nothing about acting.
:10:54
I probably didn't know much more.
:10:56
He was not a bohemian.
:10:59
He was not an avant-garde,
Left Bank figure.
:11:03
He was a kid from the Bronx
who was smart.
:11:05
I don't think he had much education.
He was a very good chess player.
:11:09
The intensity impressed me.
:11:12
I thought he had a vision
of someplace he was going.
:11:17
Fear and Desire was a youthful
apprentice exercise.
:11:21
Kubrick would later withdraw the film
from circulation.
:11:24
It got him noticed and helped to get
financial backing for his next feature.
:11:29
Killer's Kiss revealed Kubrick's
extraordinary ability. . .
:11:33
. . .to play with light.
:11:48
Stanley was making his second film. . .
:11:51
. . .and I wanted very much
to be the still photographer.
:11:54
I also wanted to see somebody
discovering and learning.
:11:58
I knew I'd be seeing that.