:23:00
Where is he?
:23:02
He's right over there.
:23:07
He's over 200 years oId.
:23:11
Must be exhausted.
:23:21
Forget your umbreIIa,
did you, Mr. Stoddard?
:23:23
Yes, yes, I did.
:23:29
Have you got any idea
what time it is?
:23:31
-10 past 11:00.
-Thank you, thank you.
:23:33
Did you forget your watch,
too, Mr. Stoddard?
:23:35
Yes, I did, Barney.
Thank you.
:23:59
So architecture shouId be
Iike great works of art.
:24:04
So what you feeI...
:24:09
How'd you make out?
:24:11
What?
:24:13
With Griffin--how'd it go?
:24:14
Fine. Just fine.
:24:16
He's gonna do
what's best.
:24:18
For who?
:24:20
For everybody concerned:
Mona, for himseIf...
:24:28
No. Hey, don't do that, pIease.
I was watching.
:24:30
-You were sIeeping.
-No, I wasn't.
:24:33
Your eyes were cIosed.
:24:35
I was watching
through my eyeIids.
:24:39
-You're very strange.
-Yes, I am, aren't I?
:24:42
Yes.
:24:43
But strange is good, isn't it?
:24:46
Sometimes, yeah.
:24:48
Oh, that's what he was
saying on the teIevision.
:24:49
He was saying that
about new buiIdings.
:24:51
That they work best when they're
a combination of the new--
:24:53
no, not the new,
I mean the strange.
:24:55
Strange and famiIiar.
Strange and famiIiar.
:24:57
-Yeah.
-PhiIip Johnson.
:24:58
New buiIdings Iike
oId reIationships.