:29:02
Very funny. I read it.
:29:04
And?
:29:06
And...
:29:08
first a kiss.
:29:13
It's good.
:29:15
You think so, or is it to encourage me?
:29:19
To encourage you to sort it out.
:29:24
How do you find yourseIf in this mess?
:29:27
And what does it mean,
:29:30
#GeIassenheit#?
:29:32
Impassivity.
:29:34
So, why don't you put ''impassivity''?
:29:36
''There is a history of impassivity,
:29:38
''by which man became an animaI
open to the worId, etc...''
:29:42
It's stiII incomprehensibIe, but Iess...
:29:44
Less pretentious, you're right.
:29:48
I'II fix and reprint it?
:29:49
With the German word in parentheses.
:29:54
I Iove you.
:30:01
Someone came to see you.
:30:04
A woman.
:30:07
What did she want?
:30:09
She didn't say. To see you.
:30:12
I think she was... your ex.
:30:16
Yes, CamiIIe.
:30:17
In fact, I'm sure of it.
:30:21
Did she say anything?
:30:23
Didn't have a chance to taIk.
:30:26
You don't Iook surprised.
:30:28
You have aIways seen
these eyes of Cia?
:30:31
Yes, these eyes!
:30:33
- They are not the same?
- Yes, the same!
:30:36
These are the same, not those!
A bit green...
:30:40
What green, they're bIue!
:30:43
For you, green.
:30:45
For you, bIue.
:30:48
And for Bruno, Iook:
grey, with bIack Iashes.
:30:52
Even the painter had his word...
:30:55
''The reaI eyes of Cia''.
:30:58
Try to define them,