:35:13
Hey, man.
:35:15
Please don't hit
on crew members, Donald.
:35:17
What, the makeup girl?
She was hitting on me, bro.
:35:22
Don't embarrass me.
I have to work with these people.
:35:25
I won't. Anyway, listen...
:35:28
...I meant to ask you,
I need a cool way to kill people.
:35:34
Don't worry. For my script.
:35:36
I don't write that kind of stuff.
:35:39
Come on, man, please?
You're the genius.
:35:43
Here you go: The killer's
a literature professor.
:35:46
He cuts off little chunks from his
victim's bodies until they die.
:35:50
He calls himself
"The Deconstructionist."
:35:55
- That's kind of good. I like that.
- See, I was kidding, Donald.
:35:59
Okay. Sorry.
:36:02
You got me.
:36:06
Do you mind if I use it, though?
:36:15
- It's really good.
- I tried to split the Cassie scene in half...
:36:19
...from the beginning to the end.
- I saw that. Why did you do that?
:36:23
Because I wanted there to be more
tension. And then you pick it up later...
:36:26
- But are you changing...?
- Keeps more tension.
:36:29
That way the audience
gets stuck early on.
:36:33
- You like it?
- I really like it.
:36:44
You look hot tonight, baby.
:36:46
Thanks, Donald.
That's swell of you to say.
:36:51
- Don't you think she's hot, bro?
- I'm heading home, Donald.
:36:54
Really? Come on.
:36:56
Hey, it's Amelia.