:36:02
You got me.
:36:06
Do you mind if I use it, though?
:36:15
- It's really good.
- I tried to split the Cassie scene in half...
:36:19
...from the beginning to the end.
- I saw that. Why did you do that?
:36:23
Because I wanted there to be more
tension. And then you pick it up later...
:36:26
- But are you changing...?
- Keeps more tension.
:36:29
That way the audience
gets stuck early on.
:36:33
- You like it?
- I really like it.
:36:44
You look hot tonight, baby.
:36:46
Thanks, Donald.
That's swell of you to say.
:36:51
- Don't you think she's hot, bro?
- I'm heading home, Donald.
:36:54
Really? Come on.
:36:56
Hey, it's Amelia.
:37:00
Hey, Amelia!
:37:01
Hey, Donald.
Hey, Charlie.
:37:05
- Hey. Hi there.
- God, Amelia, we don't see you anymore.
:37:10
- It's good to see you.
- This is my girlfriend, Caroline.
:37:13
- She's a makeup artist for the movies.
- Hi.
:37:17
Hi.
:37:19
This is David, my friend.
:37:22
- Hi.
- Hey. Nice to meet you.
:37:24
- Amelia's talked a lot about you.
- Hi, I'm Donald.
:37:26
- Hey.
- Caroline.
:37:29
- Cool camera.
- So how are you?
:37:31
- You know me, a mess.
- Charlie...
:37:34
...it's really good to see you.
Is the work good?
:37:37
It's a disaster.
I don't know what I'm doing.
:37:39
But, anyway, it's my problem.
I don't want to bore you.
:37:42
You have your own stuff, right? I mean,
we both have our own separate stuff.
:37:45
Anyway, I should go. I was just
heading home to do some work.
:37:48
- You coming?
- No, I'm gonna stay at Caroline's tonight.
:37:52
A little push, push in the bush.
:37:54
Donald, you're such a tard!
:37:58
See you, Charlie.