:00:00
Come on, man.
Come on. Let it go!
:00:02
-Bring it on! Yeah!
-See you.
:00:05
-Come on, man.
-Oh, I'm scared.
:00:07
-Come on, man!
-Chill, man! Let it go. It's not worth it.
:00:11
Hey, boys from Beantown,
why don't you say hello to Billy Buckner!
:00:18
Okay, I'm in.
:00:58
Yeah, the same thing with you, right?
:01:01
-Come on.
-What's going on?
:01:03
-We're getting out of here.
-What happened to these guys?
:01:06
Bad sushi.
:01:12
This is a joke, right? These are the guys
she wants as her co-stars?
:01:16
Actually, just Walt.
He's the one in the white jacket.
:01:24
-I don't get it.
-Oh, I do.
:01:26
You see, Cher thinks she's being slick.
Isn't that right, Howard?
:01:31
She's trying to force us
to pull the plug on the show.
:01:34
No, come on, Terry!
Hey, look at me.
:01:36
I swear on my kids,
it's got nothing to do with that.
:01:41
Well, I got a message for Cher.
:01:44
Tell her we start shooting first thing
Monday morning.
:01:49
What kind of deal
you looking for?
:01:51
Basically, it's the same deal I got
for Kitty Carlisle in What's My Line?
:01:55
-Twelve hundred and fifty dollars?
-Per show. And that's not all.