:39:00
Look, Bowman, Cody
has got to get into that lab.
:39:04
Way ahead of you, sir.
Way ahead of you.
:39:06
No problem whatsoever.
:39:07
Bowman, what's that alarm?
:39:08
Alarm? What alarm, sir?
I don't hear nothin'.
:39:13
You must be talking on that
cheap cell-phone plan.
:39:16
Sir, this goes well...
:39:19
you think maybe I can
get back in the game?
:39:43
It's me.
I spoke with the Director.
:39:45
Is there a reason
you risked blowing my cover?
:39:48
Look here,
inch-high private eye...
:39:50
relax, man, all right?
:39:51
Let's just say I did some
snooping around and found...
:39:53
Diaz and Kenworth are running
a mind-control test at the lab.
:39:55
When are we going in?
:39:56
We have to be in and out
during lunch.
:40:00
So you gotta find a way
to get out of there.
:40:02
One o'clock and don't be late.
:40:04
See you at one.
:40:05
So what's happening at one?
:40:07
Eye doctor.
:40:08
Really?
:40:09
What do you think
about Duncan Kenworth?
:40:11
Weird guy, huh?
:40:12
Yeah, he is a little bit odd.
:40:14
Ever notice anything weird
around the house...
:40:17
people coming and going
at strange hours?
:40:18
The dog mowing the lawn?
:40:20
Anything?
:40:21
Can't say I have.
:40:26
So who's your favorite composer?
:40:27
My favorite?
:40:30
I mean, who's been
your most influential?
:40:31
Well, uh...
:40:35
Heinz. Yeah, Heinz.
:40:37
He's definitely been
my biggest influ-ence.
:40:40
Heinz? I don't think
I've heard of him.
:40:43
What's his most notable work?
:40:47
That's so hard. He's written,
like, fifty-seven varieties.
:40:51
Varieties?
:40:52
I mean symphonies.
:40:53
Fifty-seven symphonies?
That is an incredible output.
:40:56
He was especially busy
during his "red" period.