:23:08
The pictures were good of their kind.
But the sculptures were something else.
:23:11
The trouble is we're never going
to see them again.
:23:14
You should film them, Gilda.
Record them for posterity.
:23:17
They need to be live,
so people can lean over...
:23:20
and smell the skin of the models.
:23:24
Does that worry you, Mia?
:23:25
Having people sniffing around you
like dogs?
:23:29
I'm a sculpture, so I ignore them.
:23:32
What about you, Guy?
:23:34
Have you seen anything like that
in England?
:23:37
No, I haven't.
:23:39
Guy thinks art should be political.
:23:41
In London, he spends most of his time
campaigning for Republican Spain.
:23:45
German artists spent the last 15 years
lampooning the Nazis...
:23:48
and had no effect at all.
:23:50
At least they tried.
:23:52
Rather pointless if all they achieve
is a ticket to one of those camps.
:23:55
And the satisfaction of knowing
they had the courage of their convictions.
:24:04
Here's to judicious cowardice.
:24:06
No. Here's to Mia,
whose beauty inspired us all.
:24:12
You should model for Coco Chanel.
I could introduce you.
:24:16
Mia's training to be a nurse.
:24:19
She only models in her spare time,
and I have an exclusive contract.
:24:22
But I do feel I've seen you before.
I never forget a face.
:24:27
Perhaps you saw me at Le Grand Jeu.
:24:32
So how do you carry on
your crusade for Spain?
:24:35
Do you sit on a committee
and hand out pamphlets in the street?
:24:38
And if you really feel so strongly...
:24:40
why don't you enlist
in the lnternational Brigades?
:24:43
I plan to at the end of school term.
:24:44
-Are you serious?
-Yeah, I am.
:24:47
Well, the line must be drawn.
:24:49
Fascism must be stopped
before it engulfs us all.
:24:53
Good night.
:24:56
-You've become so serious.
-The world has become serious.