1:15:00
Take, for example,
supermodel Lulu Fritz.
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Welcome to Kippie Kann Live.
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You used us. You took my idea,
and you set her up.
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-How can you just stand there?
-Camera two.
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-You stole my idea.
-It's poetry.
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-You stole it.
-I'll share credit. Ira...
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...there's a bigger thing happening.
Just watch. God, are you watching?
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It was all superficial.
Completely about sex.
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I'd have to say no.
That's not from my documentary.
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That's right, Lulu. It's all a ruse.
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A flower?
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-A ruse, a joke. This woman...
-How can you do this?
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...Stacy Holt, a member of our staff,
got you here under false pretenses.
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-Her name's Barbara.
-No, the woman producing is Barbara.
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The woman beside you is the current
girlfriend of the man you once dated.
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-Stephen?
-Derek.
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Camera five. Doorbell.
1:16:02
Camera five. Doorbell.
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Another woman scorned,
and she doesn't even know it yet.
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Come in, Dr. Keyes.
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Welcome to Kippie Kann Live.
1:16:17
Drama, pathos, life unfolding.
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-It's good.
-It's Greek. Go to three, Phil.
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-Camera three, go.
-Dr. Keyes, you're a gynecologist.
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This woman posed as a patient...
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...to obtain personal information on her
boyfriend, whom you once dated.
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But I examined her.
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-Well, that was all a setup.
-Even the warts?
1:16:39
No, it was a joke.
There were none, ever.
1:16:45
Ah, the apex. Joyce. She thinks she's
doing a pre-interview for a cook-off.
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That's what you told her, right, Stace?
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Come in, Joyce.
1:16:56
Welcome to Kippie Kann Live.
1:16:59
Here comes the tough part.
You can do it.