:33:03
But l've just moved
into an apartment...
:33:06
belonging to
a famous French author...
:33:08
whose children are the same age
as me and have the same interests.
:33:12
l'm getting in
with the right kind of people.
:33:16
Say hello to father.
l hope he's not still mad at me.
:33:20
Listen to this, Matthew.
:33:22
''The difference between
Keaton and Chaplin...
:33:24
is the difference between
prose and poetry,
:33:27
between the aristocrat
and the tramp,
:33:30
between eccentricity and mysticism,
:33:32
between man as machine,
:33:34
and man as angel.''
:33:37
-Not bad, huh?
-That's good.
:33:39
Except for me,
there's no comparison.
:33:42
Why? Because Chaplin's
incomparable?
:33:48
No.
:33:49
Because Keaton is incomparable.
:33:52
You think Keaton's
greaterthan Chaplin?
:33:55
-Absolutely l do.
-You're not serious.
:33:57
-Course l am.
-You're crazy.
:34:00
You can't deny that
Keaton's funnierthan Chaplin.
:34:03
l can.
:34:05
You don't think that Keaton
is funnierthan Chaplin?
:34:08
Nobody is funnierthan Chaplin.
:34:10
Keaton is. Even when
he's not doing anything.
:34:13
-And he looks like Godard.
-Keaton is a real filmmaker.
:34:16
Chaplin, all he cares
about is his own performance...
:34:19
-His own ego!
-That is bullshit.
:34:21
-lt's not bullshit!
-Yes, it is.
:34:24
You Americans understand
fuck all about your own culture.
:34:27
No wonder you've never got
the point ofJerry Lewis.
:34:29
Don't even get me
started on Jerry Lewis!
:34:32
When Chaplin wanted to have
a beautiful shot, he knew how.
:34:36
Betterthan Keaton,
betterthan anybody.
:34:39
You rememberthe last shot
of 'City Lights'?
:34:42
He looks at the flower-girl,
:34:44
she looks at him,
:34:46
and don't forget she'd been blind,
so she was seeing him...
:34:49
forthe very first time.
:34:51
And it's as if, through her eyes, we
also see him forthe very first time.
:34:55
Charlot, the most
famous man in the world.
:34:58
As if we've
never seen him before.