:34:00
You can't deny that
Keaton's funnierthan Chaplin.
:34:03
l can.
:34:05
You don't think that Keaton
is funnierthan Chaplin?
:34:08
Nobody is funnierthan Chaplin.
:34:10
Keaton is. Even when
he's not doing anything.
:34:13
-And he looks like Godard.
-Keaton is a real filmmaker.
:34:16
Chaplin, all he cares
about is his own performance...
:34:19
-His own ego!
-That is bullshit.
:34:21
-lt's not bullshit!
-Yes, it is.
:34:24
You Americans understand
fuck all about your own culture.
:34:27
No wonder you've never got
the point ofJerry Lewis.
:34:29
Don't even get me
started on Jerry Lewis!
:34:32
When Chaplin wanted to have
a beautiful shot, he knew how.
:34:36
Betterthan Keaton,
betterthan anybody.
:34:39
You rememberthe last shot
of 'City Lights'?
:34:42
He looks at the flower-girl,
:34:44
she looks at him,
:34:46
and don't forget she'd been blind,
so she was seeing him...
:34:49
forthe very first time.
:34:51
And it's as if, through her eyes, we
also see him forthe very first time.
:34:55
Charlot, the most
famous man in the world.
:34:58
As if we've
never seen him before.
:35:08
lsa, if you play
that fucking record again,
:35:11
-l'll break it in two, okay?
-But you like Janis Joplin.
:35:17
Stop it!
:35:19
l said stop it, lsabelle!
:35:22
Stop! Stop!
:35:24
Matthew, tell me, what film?
:35:26
-What?
-Name a film...
:35:28
where someone tap-dancing
drives someone else crazy.
:35:32
Forfeit to pay if you can't answer.
:35:34
-You'll pay the forfeit!
-'Top Hat'!
:35:37
Fred Astaire is dancing over
Ginger Rogers' room.
:35:44
And she's mad
because he wakes her up.
:35:52
l'm right.
:35:55
He's good.
:35:57
You thinking what l'm thinking?
:35:59
What?