Habana Blues
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:18:02
-Is that enough to live on?
-Notat first,

:18:05
but I think you'Il be fine
in no time.

:18:08
Just watch your expenses.
:18:11
Let's continue.
No royaIties wilI be paid

:18:13
until recording and marketing
expenses are covered.

:18:16
-So we pay for the recording?
-Of course.

:18:19
We front you the money.
:18:20
It's our investment,
:18:21
we're taking the risk.
:18:23
Who decides when
expenses are covered?

:18:26
The company, obviousIy.
But you can solicit information.

:18:30
And finaIly, during these
three years of contract,

:18:33
50 percent of
the editoriaI rights

:18:37
-go to the company.
-What's left for us?

:18:40
You expect us to spend three years
living for your company?

:18:43
We've aIways been poor, man.
It's no big deaI.

:18:46
Nobody gets rich off my work.
:18:47
Whoeverdoesn't want
:18:49
to be exploited
can just not sign.

:18:51
Okay, Iet's stay calm.
:18:54
My company wants to invest in you.
They'II guarantee a record a year

:18:58
foreach group and a single
:19:00
based on each group's
performance.

:19:02
We can'teven negotiate editorial
rights? 50 percent is pretty high.

:19:07
You'd complain if you
:19:09
got screwed with vaseline.
:19:11
You want it to hurt.
:19:14
Guys,
:19:15
listen up. My advice is
don't dweIl on

:19:19
the contract detaiIs.
Considerthe possibiIities

:19:21
it opens up to you. AlI musicians
have to start somewhere.

:19:25
They're out there waiting,
dreaming of being discovered

:19:29
by someone who'lI produce them.
:19:31
That's what this company
is offering you.

:19:33
So we should be grateful
on top of it.

:19:37
Why not?
To a certain extent, yes.

:19:39
Frankly, we depend on them
:19:41
-and they don't depend on us.
-Not quite.

:19:43
They take advantage
of oursituation.

:19:46
-You don't know what you're saying.
-And you do?

:19:48
Maybe you guys have
a juicier contract

:19:51
-than we do.
-Man, don't go there.

:19:54
Easy, feIlas. You can say
:19:55
whatever you want,
but don't get nervous.

:19:58
Any more comments?

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