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The one emblematic movie monsterof the 1950s emerged - in 3-D, no less -
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from Universal Pictures, the studio whichhad already led the field for two decades.
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Sci-fi expert Bill Warren calls it "one ofthe most famous monsters ever created".
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Sci-fi authority Bob Burns says it'samong the best monsters ever designed,
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and despite its Johnny-come-latelystatus, it fits in with Frankenstein,
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the wolf man, the mummy and all the restof the great movie monsters of old.
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The characters in the moviecall him the gill-man.
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The people who made the movieaffectionately called him "the beastie".
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We call him "the Creaturefrom the Black Lagoon".
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Out of the Devonian Period, when lifecrawled out of the sea, it came.
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From fishlike thing to mammal, frommammal to a manlike horror of the sea.
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With the heart of a human, filled withhate, and a manlike instinct to love.
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My name is Tom Weaver. Togetherwe'll go back to that black lagoon
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and look behind the scenes atone of the best monster movies
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from the second half of the 20th century.
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In the beginning,there was William Alland.
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Alland had the idea for Creature from theBlack Lagoon and produced the picture.
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Alland was born in Delmar, Delaware,
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and he began his careeras an actor with a Baltimore troupe.
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He moved to New York City,
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arriving there with a few belongings, $25,and the ambition to work on Broadway.
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He took acting courses, and he actedat the Henry Street Settlement House,
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which is where he met Orson Welles.
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This was in the '30s.Welles was on the verge of forming
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his famousMercury Players acting company.
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Alland worked with the Mercury Playerson stage and on the radio.
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He was in the cast of the notorious 1938War of the Worlds CBS radio broadcast,
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which was so realisticit caused a panic among listeners,
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and Welles and Alland nearly went to jail.They continued to associate for years.
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Alland acted in some of Welles' movies,including Citizen Kane.
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