:00:28
- Richard. Hold it. Richard.what's the matter?
- Okay. What happened?
:00:31
I'm not selling these skis to my mother.Please. A more neon sound.
:00:35
- Mr Ron. I can't be waiting at the whim...- Remember: to be free...
:00:37
- Of your attorney.- To soar like an eagle. To slip
the surly bonds of Earth.
:00:40
- All right. Thank you.- Right? That's the feel.
:00:44
Here we go.
:00:55
- The guys are tired. You know?No. If they start losing...
- Well. If the guys are tired...
:00:58
- Their chops... All right.- It sounds that way in the ad. My dear.
:01:00
- All right. They've neverlet you down before. Jimmy.
- Cut!
:01:03
- They've never let you down before.- Uh. Richard. Listen.
:01:06
We talked about this yesterday. Andl-I'm not getting the sound
that we. Uh. We're looking for.
:01:10
Look, we're all tired, but, you know,we might as well not be recording this...
:01:14
unless we're gonna getsome punch. Now, maybe...
:01:16
- My ears are cloggedor something, but, uh, it's a...
- Jimmy. We...
:01:21
- We agreed on this yesterday.- Say it. What? What? Tell me.
:01:23
We've been playing a long time.Okay? We need a lunch break.
:01:25
Why don't we just get throughone track. One take...
:01:29
and then give usyour notes. Okay?
:01:32
- Okay, but, you know, I want... Hold it.- We can fix it in the mix.
:01:34
We can do it in the mix. But l-l-I wantto hear it in the performance too.
:01:38
- How's it going?- Just. Just surge.
:01:39
- No. That's fine. I'll hold.- I want a... Whee!
:01:41
- Jimmy!- Wha... Richard. Iook. At the risk...
:01:44
It's not the fucking "Leonora Overture."okay? It's a jingle.
:01:49
Just let us getthrough it once. Okay?
:01:53
And then we'll have lunchand then we'll have notes...
:01:56
and then we'll fix itin the mix. Okay?
prev.