:19:06
Howard, you stink.
:19:07
I don't mince words.
You will never be a great disc jockey.
:19:10
You have lousy voice, lousy personality,
and this will not change.
:19:13
OK? So on the air
is not for you.
:19:16
But you come on time,
and you are good worker, huh?
:19:20
So...
:19:22
how about I make you...
:19:25
program director?
:19:29
Program director?
:19:31
Program... director.
:19:33
You. You.
:19:35
You run station.
:19:38
You... sit.
:19:39
You pick music.
:19:41
No more $96 a week.
:19:43
Eh. I pay you...
:19:45
you, eh?
:19:47
$250 a week.
:19:50
[Chuckles]
:19:52
You be management...
like me.
:19:55
To be quite honest, I didn't really
want to be a programmer.
:19:58
But at $250 a week,
I could marry Alison,
:20:00
and we'd get
a real place together.
:20:02
Oh, look at her.
I mean, this was a miracle.
:20:05
Here's this beautiful girl,
:20:07
I mean, a gorgeous woman,
:20:09
willing to spend
the rest of her life with me.
:20:10
I just couldn't
have been happier.
:20:13
I was the happiest
program director in the world.
:20:17
Yeah, me.
Program director.
:20:19
Overnight,
I become the big boss.
:20:20
Howard Stern,
executive manager.
:20:23
I had no idea
what I was doing,
:20:25
no clue what to do
with this job whatsoever,
:20:27
but I did it, and everyone
bought into it.
:20:30
They thought I knew what I was doing.
This was great.
:20:33
Howard.
:20:34
Oh, hey, Moti.
:20:35
Advertising is up.
Profit is up.
:20:37
Oh, great.
:20:38
As a disc jockey, you're...
you're shit... ha ha ha ha...
:20:41
But you are a great programmer.
Here, payday.
:20:44
Thanks, Moti.
:20:45
Listen, I want you
to fire Dickie Davis.
:20:49
But why?
:20:50
None of your business.
:20:51
The guy's got 3 kids.
:20:52
You want to be management,
you fire him, huh?
:20:55
It's good to fire someone. It gives
a good message to the others.
:20:57
Just fire him, huh?
:20:59
I don't want to fire him.
You fire him.