:21:00
You could have been.
:21:02
Whatever happened
:21:03
to that book
you was always going to do?
:21:05
Do you remember?
:21:06
Yeah, yeah.
:21:07
Well, um...
I thought it was time
:21:09
to get serious about the career
when Amy came along, you know.
:21:12
It's still
on the back burner, though.
:21:14
What's it about?
:21:17
Well, it's, um...
:21:18
It's really...
:21:21
It's in here?
:21:22
No, I'm not saying.
:21:23
It's in here.
:21:24
I'm sitting on it.
:21:25
My God.
:21:26
Christopher Lloyd's
deep, dark secrets.
:21:28
No, no, don't, Toni.
No, leave it.
:21:30
You'll only laugh.
:21:31
What's the matter?
:21:32
I won't laugh--
Chris, come on.
:21:34
Friends since the cradle.
:21:35
It doesn't matter
what it is, I promise you.
:21:37
However ludicrous,
trivial, obscene...
:21:39
I'm not going
to laugh, am I?
:21:42
Let me see.
:21:43
Watch out.
:21:47
What I'm planning
is, a, uh...
:21:50
a photographic...
:21:51
history of travel in London.
:21:53
You know, I mean
:21:55
the premise being
sort of the extraordinary
:21:57
within the ordinary, you know,
because everybody's
:21:59
so familiar with,
you know, the trains
:22:01
and they cease to see anything
:22:02
special about it, really
:22:03
but this is one of
the ideas I've got
:22:05
for the cover
at the moment.
:22:06
It's just a rough
:22:07
thing you know, but...
:22:08
Fuck me.
An illustrated guide
:22:10
to the Metropolitan Line.
:22:12
Yeah, thanks, Toni.
:22:13
What an enticing
prospect.
:22:15
Thanks, you bastard.
:22:16
Hey, come on.
I'm sorry.
:22:17
Yeah, don't overdo it,
you know?
:22:19
You know, it's just
one of a lot of ideas.
:22:21
It's a great idea.
:22:22
I'm really not
sure that it's...
:22:23
I'm gonna do
that one yet.
:22:25
I look forward to it,
honestly, all right?
:22:28
What's happened to you, Chris?
:22:30
What do you mean?
:22:32
You know what I mean.
:22:49
[Marion ]
Punk concert?
:22:50
[ Chris ]
Yeah. He's got a friend
in the band.
:22:53
You hate punk.
:22:54
No, I don't.
:22:55
Yes, you do.
:22:57
You know you'll hate it.
:22:58
Anyway,
you're only going