:54:01
What time are you gonna
be home, honey?
:54:04
Hear that?
:54:05
"What time are you gonna
be home, honey?"
:54:08
That's dangerously close
to wife-speak to me.
:54:11
Because Im making something
really special for din-din.
:54:14
Din-din?
:54:16
Ill call later.
:54:18
Listen, are you sure you don't
think that colour's a little bit intense?
:54:23
- l think you're a little bit intense.
- Careful,
:54:28
because you've got paint
all over your hands.
:54:32
Plus, you're wearing my favourite shirt
to paint the house in, Nik. Don't--
:54:39
Sorry, baby.
:54:44
l gotta run.
:54:46
No, Ive gotta run.
:54:47
l bet that l can make it
worth your while to stay.
:54:52
Im sure you can. But you know what?
Ive got that meeting.
:54:55
- Haven't l?
- Yeah.
:55:05
You know you're in trouble when
a sight like that can't keep you planted.
:55:10
When l was a boy
at St. Alban's Secondary School,
:55:14
the school took us
on this cultural trip
:55:16
to observe art at one of the--
:55:19
One of those big famous
London museums.
:55:21
Anyway, when l was there,
:55:23
l came across this statue
of a Greek goddess in marble.
:55:26
Aphrodi-- Aphrodite,
something like that.
:55:30
Beautiful, she was.
:55:33
Perfect female form.
:55:36
Chiselled features.
:55:38
Exquisite.
:55:41
l stood in awe of her.
:55:44
Finally, the teacher calls us
all over, and Im walking past it,
:55:47
and on the way l notice,
in the side of this Greek goddess,
:55:51
all these cracks,
chips, imperfections.
:55:56
Ruined her for me.