:14:10
Because Carla Santini
thinks she's Julia Roberts
:14:13
and the universe is interested
in everything she says,
:14:15
you can't help overhearing her.
:14:16
So I had this really long talk
with Miss Baggoli yesterday
:14:19
about the drama club's
production of "Pygmalion."
:14:22
I told her I think it's really
rigid to stick to the original.
:14:24
Not stick to the original?
:14:26
Not stick to the exquisite words
of Mr. George Bernard Shaw?
:14:29
We're not English,
and this isn't the 19th century,
:14:31
so I think we should adapt the
classics to reflect our times.
:14:35
They're classics
because they're classic.
:14:37
Then I told her about my idea
:14:38
to move the location
to present-day New York
:14:40
and make Eliza a checkout girl.
:14:42
You're gonna be playing Eliza?
:14:43
Well, of course.
:14:44
I've already got the part.
:14:46
When I moved to Deadwood,
:14:47
I really felt that a legend
was about to be born.
:14:50
Was Carla Santini going to
stand in the way of that birth?
:14:59
Miss Baggoli, Miss Baggoli!
:15:01
I didn't know "Pygmalion"
had already been cast.
:15:03
I would have loved to be
Eliza Doolittle.
:15:05
Maybe if I could
just prove it to you now.
:15:07
Oh, no, no, Lola.
:15:08
I just put the notice up
on the board.
:15:10
Auditions are not until Friday.
:15:14
Thank you, Miss Baggoli.
:15:18
George Bernard Shaw
is a great playwright.
:15:24
And he's also a vegetarian.
:15:29
You're just in time, Lola.
:15:30
Quickly.
:15:31
I'm telling all the others
about this idea that I have had
:15:37
for our production
of "Pygmalion."
:15:40
Now, as you know,
"Pygmalion" is a play
:15:43
which takes place
in old-timey London.
:15:47
My idea is that we will set
our production of "Pygmalion"
:15:53
in modern-day New York.
:15:55
And Eliza will be a checkout
girl at a supermarket,