:57:02
l can't go. I have to pick up
Marta at the airport.
:57:04
Don't do that to Caridad!
:57:06
l'm sorry, I forgot.
What can I do?
:57:12
Do as you please.
:57:16
TeIl Caridad I'll be there
:57:18
as soon as I can.
:57:28
That was deIicious.
The pork was amazing.
:57:32
Better to not get too used
to eating so much.
:57:37
You guys, I gota Ietter from
Orlandito with the last catalogue.
:57:42
I heard he boughtan apartment
in downtown Madrid.
:57:44
Yes, sir.
:57:45
And we can'teven afford
new shoes.
:57:47
ls he doing that welI?
:57:49
Yeah, he's selling a ton.
:57:51
He got so Iucky.
:57:53
It's not luck.
He went after it.
:57:55
l realIy Iove OrIandito,
:57:57
but what he's doing now doesn't
compare to what he used to do.
:58:00
So what? He's painting
:58:01
-what peopIe buy.
-Such extremes...
:58:03
I think peopIe
should live as they please.
:58:06
That's impossible
in this country.
:58:08
An artist needs a pubIic.
:58:10
-How wouId you know?
-Business is business.
:58:13
Pure art is dead.
:58:15
No, it should be kiIIed.
:58:17
Let's drink to that.
:58:18
No way.
l won't drink to that.
:58:21
l've been putting up with
his poetry nonsense for 14 years.
:58:25
He never asks his aunt in New York
for medicine or shoes or money.
:58:30
He asks for books and magazines.
:58:33
And now that he's finalIy writing
something good,
:58:36
we can't throw it aIl away.
No way, guys.
:58:38
You'Il keep being
my cursed poet
:58:40
and pay no attention to these
:58:43
capitalist scumbags.
:58:44
-You hear me, darling?
-Yes, dear.
:58:46
l don't care if I have
onIy one pair of shoes
:58:48
or if I have to wait in Iine
for hours
:58:51
to buy a coupIe eggs and bread.
:58:53
I'll be a hooker if I have to.
:58:57
Hey, wait.
:58:58
An erudite hooker, of course.