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Moderate Acceptance
– Directed by Jean-Luc Godard
– More Bande à part À bout de souffle
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Pierrot le fou
:01:07 "Past the age of fifty, Velasquez
stopped painting definite things.
:01:12 He hovered around objects
with the air, with twilight,
:01:16 catching in his shadows
and airy backgrounds...
:01:19 the palpitations of colour...
:01:21 which formed the invisible core
of his silent symphony.
:01:26 Henceforth, he captured only...
:01:28 those mysterious interpenetrations
of shape and tone that form a constant,
:01:33 secret progression,
:01:36 neither betrayed nor interrupted
by any jolt or jar.
:01:42 Space reigns supreme.
:01:44 It is as if an aerial wave,
sliding over the surfaces,
:01:48 soaked up their visible emanations,
defined and modeled them,
:01:52 then spread them about like a perfume,
:01:55 an echo of themselves,
:01:58 a scattering of impalpable dust.
:02:03 The world he lived in
was one of sadness:
:02:06 a degenerate king, sickly infantes,
:02:10 idiots, dwarfs, cripples,
:02:14 a handful of clownish freaks
dressed up as princes,
:02:17 whose function it was
to laugh at themselves...
:02:20 and to amuse a cast
that lived outside the law,
:02:24 in the meshes of etiquette,
plots and lies,
:02:28 bound by the confessional and remorse,
:02:32 with the inquisition
and silence at the door."
:02:39 Listen to this, little girl!
:02:44 "A spirit of nostalgia pervades his work,
yet he avoids what is ugly, sad,
:02:49 or cruelly morbid
about those oppressed children.
:02:55 Velasquez is the painter of evening,
:02:58 of open spaces and of silence,
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